
Inauguration of the permanent exhibition hall
On 8 May 1985, at the Amwaj centre in Jounieh, Antoine Berberi opens his first permanent exhibition hall: 27 bronzes and 19 sketches.
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Four decades of press coverage of Antoine Berberi, from the Lebanese and French press.

On 8 May 1985, at the Amwaj centre in Jounieh, Antoine Berberi opens his first permanent exhibition hall: 27 bronzes and 19 sketches.
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« The faith that animates metal »: L'Orient looks back on the opening of the permanent exhibition hall, between monumental bronzes and a vocation as a mediator.
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A short photographic notice, slipped between two war dispatches, presents the bronze group « L'Orchestre » (The Orchestra).
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Antoine Berberi gives the man of the theatre Raymond Gebara a bronze sculpture, the day after his decoration by France.
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Third newspaper to cover the Amwaj inauguration, illustrated with a photo of the group « L'Orchestre » (The Orchestra).
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Three bronzes spread across a full page, between archaic strength and monumental ambition.
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Three works on the front page: « L'Orchestre » (The Orchestra), « La marche des héros » (The March of the Heroes) and « Le Violoncelliste » (The Cellist).
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Faced with the « vigils of death and waiting » of the war, the artist explores a new material: polyester resin.
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A lyrical portrait retracing the artist's childhood and training, up to the monument dedicated to the martyred officer Samir Chartouni.
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« I am beautiful, O mortals, like a dream of stone »: from Baudelaire to the first prize at the Beaux-Arts in Paris, the career of a sculptor-founder.
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Without an official ceremony, a new bronze statue of Rachid Karamé, cast entirely in Dbayeh, replaces the old one, judged unworthy of his memory.
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Antoine Berberi wins first prize in a competition organised by the Order of Engineers, ahead of seventeen other projects.
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Arabic-language version of the competition announcement: first prize to Antoine Berberi among eighteen projects.
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Third report on the same competition, confirming Antoine Berberi's first prize.
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One piece in particular stands out: « Le Retour des frères absents » (The Return of the Absent Brothers).
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At Galerie 23 in Barbizon, Berberi exhibits alongside a painter-musicologist and a painter, around his passion for music.
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« Soft, malleable, it seems in no way to oppose the will »: Berberi on clay, between Paris and Beirut.
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Natacha Sikias traces the artist's career, from Youssef Ghossoub's studio to the foundry in Dbayeh that he set up in 1967.
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« The tireless quest for the most beautiful »: Berberi among five artists brought together for a group exhibition.
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Zéna Zalzal goes back to the childhood spark: a neighbouring sculptor glimpsed from a balcony in Achrafieh.
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Interview: on the links between Lebanese and French sculpture, national memory and a coastal monument project.
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« Life has spoilt me »: the founding anecdote of a bust sculpted in two hours, at thirteen, without lessons or a model.
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« Some people have never tasted independence »: the statue of Béchara El-Khoury is still waiting for its place, and Berberi reveals his dream of a Martyrs' statue.
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Some fifteen bronzes tucked into the nooks of a bakery in Gemmayzé, including « the famous Elissa ».
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Nazih Khater praises five bronzes exhibited on the fringes of the festival, from « Le Pianiste (The Pianist) » of 1982 to « La Dame au masque (The Lady with the Mask) » of 2004.
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One statue completed and installed, the other still stored in the studio for lack of an official decision.
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More than seventy works, sculpture and painting combined, including several versions of the monument to Samir Chartouni.
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A 75-centimetre bronze bust, unveiled at the 25th anniversary of the assassination of the general, deputy chief of staff of the army.
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